John Francis Flynn
Friday 27th September, 8pm.
Often, to imagine Ireland is to fantasise about rolling hills, giants, saints and snakes. As John Francis Flynn says, it involves “a fair bit of paddywhackery and I hate paddywhackery.” The psyche-celtic album artwork for John’s second album Look Over The Wall, See The Sky, hints at this too though: a crystal goblet of luminous green Crème de Menthe resting upon a mossy ledge, perfectly encapsulating this imagined idea of Ireland in a way that is both funny and poignant. But, if you have to imagine Ireland in the first place, then you’re probably not too familiar with its reality: the towering glass giants of Google and Facebook, the unaffordable luxury hotels lining the Liffey amidst a homelessness epidemic and the highest rents in Europe. On his new single ‘Mole In The Ground’, a cover of an American anti-establishment folk song recorded by Bascom Lamar Lunsford in 1928, John evokes the rebellious energy he felt in his home of Dublin during a time when it was being “torn to shreds by property developers and vulture funds.” In his rendition, John allows the surrealism of the song to take centre stage, opting to speak rather than sing the words. By taking away its nursery rhyme-like melody, we focus instead on our narrator’s stranger fantasies and desires. His voice, too, sits under the ground of the melody, tapping into the song’s dark, hallucinatory spirit: “I don’t like the railroad man/The railroad man will kill you when he can/ and he’ll drink up your blood like red wine.”
To listen to this album is to witness history through a modern lens in a trance-like state. As expected, Flynn’s contemporary influences are sufficiently esoteric, from ‘The Heart Pumps Kool Aid’ by —__–___ to ‘The invention of the Human’ by Dylan Henner (a concept album about an AI learning to sing). However, he was also inspired by his contemporaries in the traditional music scene in Ireland, many of whom contributed to the album, as well as those outside of it, such as noise-rockers Gilla Band and Rising Damp.
The sonic landscape created through the unconventional use of instruments jagged arrangements often teeters on the edge of disharmony, but it gives the work a magnetism by drawing you into its curious orbit of experimental folk. John masterfully unpicks traditional songs and rearranges them with an emotional force that sometimes leaves them unanchored. They float in a surreal space between the past and the present, the analogue and the digital, between love and tragedy. Look Over The Wall, See The Sky is an album concerned with imagination, but not only with what John calls, “an imagined Ireland,” but also the re-imagining of traditional Irish music and the hopeful fantasy of an Ireland that could exist ‘over the wall’: powerful, hopeful and free.
Tickets: €20 (+ booking fee)
Early booking advised.
Link: https://eskerarts-tickets.ticketsolve.com/ticketbooth/shows/1173647856